Romanian Painter, 1838-1907
From 1848 he trained in Bucharest with various church painters, producing icons and religious mural decorations. These works, which soon attracted attention, were influenced in style by the Viennese classicism widespread in the Romanian principalities in the early 19th century and by the Italian academicism established there after 1850 by Gheorghe Tattarescu. The earliest of his known paintings are in the church of SS Constantin and Elena at Baicoi, where his signature can be seen beside that of Nita Pereescu on the icon of St George (1853). He subsequently painted a series of icons (1854-5) at Caldarusani Monastery. In the later ensembles he was assisted by his older brother Georghe Grigorescu, who participated under his direction in the decoration of churches, such as those of the Zamfira (1856-8) and Agapia (1858-60) monasteries. In Nicolae's paintings at Agapia, classicism in Romanian art reached its highest point. The royal icons are distinguished for the elegance of the figures, both in their attitudes and in their drapery. Related Paintings of Nicolae Grigorescu :. | Girl with White Veil | Portrait of the Monk Isaia Piersiceanu | Portrait of a little girl | The Return from the Fair | In Front of the Firephale | Related Artists:
Alfred ChalonEnglish 1780-1860
Swiss-British painter and illustrator. Much of what we know about the look of romantic ballet is owed to his lithographs and illustrations. He was Taglioni portraitist and his 1845 lithograph of the Pas de quatre, with Carlotta Grisi, Marie Taglioni, Lucile Grahn, and Fanny Cerrito, is one of the most famous images in all dance.
Paggi, Giovanni BattistaItalian Baroque Era Painter, 1554-1627
.Italian painter and theorist. As the son of a newly inscribed nobleman, he received a Renaissance gentleman's education, but as an artist he was it seems self-taught, despite the encouragement of Luca Cambiaso. The gentleman who then set up as a painter was obliged to give his work to patrons, sometimes expecting future remuneration; but when one patron reneged on payment in 1581, Paggi mortally wounded him and was banished from Genoa. He was given protection by Francesco I de' Medici, Grand Duke of Tuscany, and settled in Florence. A fresco of St Catherine Converting Two Criminals (1582), painted for Niccol? Gaddi's family chapel at S Maria Novella and thoroughly Florentine in manner, established Paggi's reputation at the Medici court. He painted ephemeral decorations, portraits (all untraced) and altarpieces for many Florentine churches and for the cathedrals of San Gimignano (c. 1590), Pistoia (1591-3) and Lucca (1597-8),
Leutze, Emmanuel GottliebGerman-born American Romantic Painter, 1816-1868